- Brian Waldron

- Oct 5
- 4 min read

In my experience, the hardest students to teach are those who have been “playing guitar” for decades but, upon closer examination, have never mastered even the most basic skills.
These “Forever Beginners” often spent years with “feel good teachers”—instructors who may have been a fun hang but lacked the resolve to hold their students to the high standards that real progress demands.
Others have simply grown accustomed to faking guitar: playing along with backing tracks or records cranked loud enough to mask the thunks and buzzes of sloppy technique. It can feel gratifying, strumming furiously to a favorite song, but from a musical standpoint it has about as much value as a classical music enthusiast waving his arms wildly while Beethoven’s Fifth blasts from a stereo. Passionate as he may be, he isn’t actually conducting. Could he learn? Of course. But without a framework—educational, theoretical, and technical—to give meaning to his flailing, he remains stuck in pretend.
Whatever the cause of their stunted growth, what’s certain is that these students have spent decades hardwiring terrible technique. They haven’t just failed to learn guitar—they’ve mastered the art of playing it poorly. And while bad technique itself can be undone with the guidance of an expert teacher, the true challenge is psychological: convincing a “Forever Beginner” just how flawed their playing really is.
Yes, anyone who seeks out lessons is implicitly admitting they need help. But for someone with 30+ years of guitar behind them, it can feel nearly impossible to accept that their learning journey must begin at square one. Faced with this reality, many will dismiss the teacher outright or even lash out. Others may nod along to the diagnosis but never fully grasp the uphill battle ahead—or the discipline required to tear down and rebuild their habits from the ground up.
Less is More, and the Power of Focus
One of the biggest mistakes that keeps players stuck is “buffet-style” practice: bouncing from strumming to scales to songs, hoping progress will magically appear. It won’t.
The truth is, each individual skill we cover—whether it’s strumming, scales, or even a single song—could easily justify 30 minutes of daily practice, seven days a week. Trying to fit everything into a single 30-minute session is a recipe for frustration and stagnation. The hands simply never get to sit with a skill long enough to actually learn it.
Musicians regularly need thousands of perfectly executed repetitions before a skill becomes reliable. That’s not an exaggeration—it’s the reality of motor learning.
A Case Study: Two Strumming Patterns
Here’s what real practice looks like. Recently, I had a student who—like so many—wasn’t improving at all because his practice instincts were terrible. He wanted variety. He wanted to dabble. He wanted to “feel” like he was playing.
Instead, I gave him this:
Practice only two simple strumming patterns. Nothing else.
Spend two straight days on the first pattern before touching the second.
Toggle back and forth in this way—two days on Pattern 1, two days on Pattern 2—until you can play each for 60 perfect seconds, locked in with a metronome, without a single stutter.
Record yourself hitting the benchmark and send it to me.
That’s it. No scales. No chord changes. No songs.
And here’s the kicker: I told him to use his phone stopwatch during practice. Start the timer only when he’s actually focused. Stop it when his mind wanders or when he takes a break. At the end of the day, the number on that stopwatch tells the truth. For most students, it’s the first time they’ve ever confronted how little actual practice they’ve been doing.
The Discomfort Is the Point
This kind of practice is tedious. It can feel boring. It strips away all the comforting illusions and forces you to sit with your flaws. But this is where growth lives.
If you can’t tolerate the discomfort of focused repetition, you’ll stay a Forever Beginner. If you can, even with something as “simple” as a strumming pattern, you’ll build the foundation that unlocks freedom and expression down the line.
The paradox is that once the fundamentals are automatic, the guitar does become fun again. You’ll be able to jam, improvise, and perform with authority—but only because you put in the work to rebuild correctly.
The Bottom Line
At Waldron Guitar Academy, we don’t do “feel good” teaching. If you’re looking for a cheerleader to tell you you’re doing great while you stay stuck, there are plenty of instructors who will happily take your money.
But if you’re ready to stop faking guitar and finally play with clarity, confidence, and freedom—then it’s time to get serious.
We don’t promise it will be easy. We do promise it will be worth it.
Ready to Leave Forever Beginner Status Behind?
If you’re ready to commit to real practice, apply for lessons at Waldron Guitar Academy. Our instructors are world-class players with decades of teaching experience, and we only work with students serious about breaking through.
